analytical essays
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Papers On Art & Architecture
Page 16 of 187
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'Popeye is Not a Mickey Mouse Affair'
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Arguments have existed suggesting that fictional characters cannot be copyrighted because they are an abstraction of the minds of the viewer and, therefore, can have no tangible existence outside the original work. Yet it is now recognized that both Popeye and Mickey Mouse receive copyright protection on the basis that they were sufficiently developed to command protection. This 12 page paper considers the issue of copyright laws as they have developed in Japan and reflects upon the notion that fictional characters like Mickey Mouse and Popeye have been 'developed sufficiently to command protection.' Bibliography lists 12 sources.
Filename: Popmick.wps
“Art nouveau”
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A five page paper which looks at the importance of the art nouveau movement of the late nineteenth century and some of the other art and design movements, such as the Bauhaus school and New Objectivity which arose out of it.
Bibliography lists 3 sources
Filename: JLArtnouv.rtf
“Bernini and Gimaud”
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A paper which looks at the similarities between Bernini, the foremost artist of the High Baroque period, and Gimaud, one of the most prominent members of the Art Nouveau movement, in terms of their interpretation of their respective cultures and their use of innovatory forms and materials.
Bibliography lists 4 sources.
Filename: JLBern.rtf
“Clockwork Orange” and Presumably Offensive Art
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A 7 page paper which examines
the film “Clockwork Orange” as well as other art forms that are generally considered to be
somewhat offensive. The paper then examines two artists who have been known to shock
viewers. Those artists are the photographic artist Andres Serrano and the performance
artist Gina Pane. Bibliography lists 3 sources.
Filename: RAclock.rtf
“Crumb” and “Basquiat”
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A 10 page paper which compares the artwork seen in the
film “Crumb,” about Robert Crumb, and “Basquiat,” a film about Jean Michel Basquiat.
2 additional sources cited.
Filename: RAcrumb.rtf
“David” as Seen by Donatello, Michelangelo and Bernini
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A 5 page paper comparing the early and high renaissance depiction of David of Donatello and Michelangelo with the baroque representation of Bernini. The viewer is left guessing at what juncture Michelangelo’s David is standing both tense and serene. Donatello’s David clearly has finished his mission but gives no information about the moments preceding. Bernini, by using the baroque concept of time, combines these approaches, thereby placing himself into the baroque period through technique, as well as through chronology. Bibliography lists 10 sources in 14 footnotes.
Filename: KSartDavid.rtf
“Eannatum, Prince of Lagash” and “Woman or Goddess with Snakes” -- Ancient
Art Representing Ancient People
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This 5 page report discusses two works of ancient art
from Sumeria/Mesopotamia and the Greek island of Crete, home of the Minoan culture.
The actual artworks are considered as well as what they represent for the ancient cultures
from which they were created. Bibliography lists 6 sources.
Filename: BWlagbce.wps
“Graphic Design and Modern Technology”
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A five page paper which looks at the ways in which computer technology and the globalisation of communication has changed design concepts, and the extent to which such technology is leading towards a ‘paperless society’.
Bibliography lists 3 sources.
Filename: JLcompdesign.rtf
“Impressionism and Patronage”
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A five page paper which looks at the extent to which the early impressionists were dependent on the patronage of individuals for the exhibition and preservation of their work, and the necessity for patronage in regard to art which does not have immediate popular appeal in the commercial market.
Bibliography lists 3 sources.
Filename: JLimppatron.wps
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