analytical essays

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Caravaggio, Blake, and Goya
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A 4 page comparison and contrast of three artists and one of their works. The artists and works are Michelangelo Merisi da Caravaggio’s David and Goliath (undated), William Blake’s The Great Red Dragon and the Beast from the Sea (1805), and Francisco de Goya’s Blind Guitarist (1778). Bibliography lists 3 sources.
Filename: RAarcvv.rtf

Caravaggio/The Entombment
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A 3 page research paper/essay that discusses Caravaggio “The Entombment” and Bernini’s “Ecstasy of St. Theresa.” Caravaggio’s “The Entombment” (1602-03) is a work that fulfills very well the assignment scenario’s papal criteria of providing a powerful work of art that both glorifies God and inspires faith and commitment from Catholic congregations, who resisted the appeal of Protestantism during the seventeenth century. Bibliography lists 3 sources.
Filename: khcaraen.rtf

Careers in Graphic Design
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7 pages. This paper explains the pros and cons of a career in graphic design. Some of the topics included are the educational requirements for the job; duties expected of employees holding the job and the future of graphic design. In other words, will there be a market for graphic designers by the time they get out of college? Job satisfaction is covered based on a personal interview herein, as well as the opportunities for advancement and the positive and negative aspects of the job. The overall assessment of a career in graphic design and whether it is well suited to oneself summarizes the paper. Bibliography lists 10 sources.
Filename: JAgraphd.rtf

Caribbean Art: WWI to WWII
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A 6 page paper which examines Caribbean art between the two world wars. Bibliography lists 2 sources.
Filename: RAcarbar.rtf

Carol Maratta and Jael Slaying Sisera;
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This 5 page paper considers this singular work of this baroque Italian painter and look to identify the different influxes on style and structure by comparisons with previous artists. The bibliography cites 4 sources.
Filename: TEmaratt.wps

Carsten Holler’s Artistic Production in Relation to Nicolas Bourriaud’s Relational Aesthetics
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This is a 5 page paper discussing relational aesthetics in the works of Carsten Holler. Nicolas Bourriaud in 1997 developed a theory in regards to art called “relational aesthetics”. Essentially, he described relational aesthetics as the coexistence between an artist, the piece and the viewer of the art. Artists who use the ideas of relational aesthetics in their works allow not only the viewers to participate in the understanding of the production but also make them question the “use” rather than the meaning. Carsten Holler is an artist who very much uses the open interaction of relational aesthetics in his pieces. His works involve much of his understanding of behaviorism and utilitarianism. Many of his pieces includes elements of humans in motion and in love which questions the motives of these actions. In addition to providing viewers with a relational context and utility, Holler also uses a great deal of humor and irony in his work which allows the viewer to participate in his idea to provide the viewer with “a degree of freedom and relief, however momentary it may be”. Bibliography lists 4 sources.
Filename: TJCHoll1.rtf

Cartoons, Law, and Societal Prejudice: An Analysis of Cartoons Relating to the Brown v. Board of Education Decision
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A 4 page examination of several political cartoons that were originally published in 1954 in response to the Supreme Court's decision on school desegregation. The author contends that numerous factors have to be taken into account to understand the meaning of these types of cartoons. Bibliography lists 3 sources.
Filename: PPtoons.rtf

Cassatt and “Mother About to Wash Her Sleepy Child
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A 6 page research paper that analyzes and discusses Mary Cassatt’s painting “Mother About to Wash Her Sleepy Child.” Bibliography lists 3 sources.
Filename: khcasslc.rtf

Catharine Lorillard Wolfe – Art Collector
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A 7 page research paper that examines the life of C.L. Wolfe, a nineteenth century art collector who was the only woman co-founder of the Metropolitan Museum of Art, to which she left her considerable art collection. The writer discusses women and art collecting, in general, and also compares Wolfe to another collector of that era, Isabella Stewart Gardner. Bibliography lists 8 sources.
Filename: khclwisg.rtf